
mere moments before her death, Annie celebrates feeling zestfully clean














I wrote a review of Hell Night many a moon ago (2006! what the heck!), so, you know. That's pretty much taken care of. But I watched the film again last night in preparation for this Film Club meeting that has been called to order, and I jotted some notes and thoughts and musings whilst doing said watching. I will share in a moment, but first let me say that I was curious to see if I still liked this movie a whole mess- after all, sometimes opinions change, right? It can be bittersweet to let go of a childhood friend with a "Oh muh gah, I liked this movie? How much paste did I eat in the 80s?"



















Let me say right upfront: I adore this film. It's in my Top Ten or whatever number would actually make up the list of my all-time favorite horror movies. I think it's an absolute masterpiece of genre filmmaking, and in my opinion it's on the short list of Romero's best (the others being Dawn of the Dead and Creepshow, although my soft spot for Creepshow is so soft that I have no idea whether or not it's actually a good movie, you know?). Night of the Living Dead is all shock and far gorier than you remember it being; it's all exquisite lighting and camera angles; it's all horror with a bit of rotting meat on its bones, terrifying in its simplicity. Somehow, this film is one of the very few that I can always manage to watch with the mindset of the era in which it was made, and perhaps that's why it's one of my favorites, why it never fails to work for me, why I still get scared.While Hinzman wasn't really the first zombie, he was totally the first zombie, and even if my adoration-colored glasses at that convention wouldn't let me see a plain old boast as a boast...well, he deserved to boast, dammit. So tonight I'm going to pop in the restored and re-mastered edition (finally got it!), turn off the lights, and raise a glass (of water, it's all I have in the house) to the first zombie. Rest in Peace, Bill Hinzman. Thanks for all the scares (and the conversation).

















